The notation Stockhausen used for Klavierstück I attracted much criticism when the piece first appeared, notably from Boulez,[15] and prompted several suggestions for how the player might deal with the complex, nested irrational rhythms.[16][17] Leonard Stein's suggestion that the outermost layer of proportion numbers could be replaced by changing metronome values, calculated from the fastest speed possible for the smallest note-values, was later incorporated into the published score as a footnote, but has been dismissed by one writer as "superfluous" and "a mistake", holding that "the piece is playable in its own terms" by any pianist who can play Chopin, Liszt, or Beethoven.[15]
Klavierstuck Xi Score Pdf Download
Download File: https://blacigulwa.blogspot.com/?file=2vAVkx
Klavierstück X was commissioned by Radio Bremen, and was intended to have been premiered by David Tudor at their Pro Musica Nova festival in May 1961. However, the score was not finished in time for Tudor to learn it, and subsequently his international touring did not leave him in a position to do so. Consequently, the piece was finally premiered by Frederic Rzewski on 10 October 1962, during the third Settimano Internazionale Nuova Musica in Palermo. In the concurrent composition competition, the Concorso Internazionale SIMC 1962, the piece won only second prize. Rzewski also played the German premiere in Munich on 20 March 1963, and made the first radio recordings, for Radio Bremen on 2 December 1963 and for WDR on 16 January 1964. On 22 December 1964 Rzewski made the first recording for commercial release, in the Ariola sound studios in Berlin.[88]
There are five large sections in Klavierstück XV, titled "Pietà", "Explosion", "Jenseits", "Synthi-Fou", and "Abschied".[135] The score is dedicated to the composer's son, Simon Stockhausen, who gave the premiere performance at the Museum Ludwig in Cologne on 5 October 1992.
The piece was written for the 1997 Micheli Competition, who had commissioned a seven-minute piano piece. It was first played in October 1997 to the jury by the three finalists in that competition. According to the preface to the score, the composer's offer to rehearse individually with the pianists was rejected, so he did not hear the result but was told afterward that "they were completely lost and could not imagine how the piece should be played". The first public performance was given by Antonio Pérez Abellán on 21 July 1999 at the Stockhausen Courses Kürten. The score is dedicated to "all pianists who do not only play the traditional stringed piano but who also include electronic keyboard instruments in their instrumentarium".
Komet als Klavierstück XVII (1994/99) also uses electronic music from Freitag. According to the score preface, it is to be performed on "electronic piano" (elektronisches Klavier), but this is defined as "a freely chosen keyboard instrument with electronic sound storage, for example a synthesizer with sampler, memory, modules, etc."
The score authorizes the performer to create a personal work against the background of the music of the scene "Children's War" from Freitag. The comet is a traditional sign of impending disaster which, combined with the tolling bells of doom and recollection of the opera's scene of a terrible battle of children, express a pessimistic view of the world.[140]
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of hydrangea, free solo log (since 2022), solo improvisations IV, krautfunk, solo improvisations III, sechs kleine klavierstücke, op. 19, solo improvisations II, nadir, and 8 more. , and , . Purchasable with gift card Buy Digital Discography $39.20 USD or more (20% OFF) Send as Gift Share / Embed 1. HV 00:54 buy track 2. switchgear I 01:56 buy track 3. MV 01:34 buy track 4. switchgear II 02:19 buy track 5. LV 01:23 buy track about this little suite is indebted to the great Allan Holdsworth (1946-2017). $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released November 6, 2018 jo jena - solo electric guitar & nord modular synthesizer big switches by "All Sounds" (creative commons licence), many thanks also to "Berlin Atmospheres #0008" for providing free sounds of small electric switches as well.composed, played, patched, photographed & mastered by jj, november 2018, recorded at studio "raumstation", frankfurt am main, mastering by LANDR $(".tralbum-credits").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); license all rights reserved tags Tags jazz ambient avantgarde guitar solo Frankfurt Shopping cart total USD Check out about Jo Jena Frankfurt, Germany 2ff7e9595c
Comentarios